共鳴体 Resonance : Into the Maze
2020.11 首演於國家兩廳院 實驗劇場
2021.04 衛武營國家藝術文化中心戲劇院
★2020台灣國際藝術節(TIFA)
★2021衛武營TIFA當代音樂平台
「本演出的團隊結合當代古典樂、音樂劇場、現代舞與科技藝術裝置,呈現了一個有趣的聲音遊樂場,並且拓展觀眾對於聆聽的認知,也讓人期待他們接下來端出的新成果。」──聲音藝術表演者 黃大旺
作曲│林桂如
聲音裝置設計│王仲堃
《共鳴体》結合原創音樂、互動探索與聲音裝置,以聲音的「振動」與「共鳴」為創作核心,以「空間」與「觀眾參與」為發展軸線,透過機械裝置、燈光、打擊肢體等多元創作表現,引領觀眾聽見音樂的色彩,觸碰聲波的流動,為實驗劇場量身訂做一個由聽覺、視覺、觀演關係三種不同的層面形塑的大型共鳴箱。
本作探問如何從聲音的物理及心理層面,創造與觀眾的共鳴與共感,又如何藉由可自由遊走的觀演關係,引導觀眾更為主動地聆聽。當聲音以多元多指向的方式從各處傳來,觀者不僅用「耳」聆聽,也用「眼」尋聲,更用「手」觸聲,我們期望觀眾在這個作品中,隨著段落進行越發打開五感,從而發現這個世界中各種聲音一直都在,端看我們如何覺察及共鳴。
作曲│林桂如
聲音裝置設計│王仲堃
肢體編創設計│董怡芬
戲劇構作│陳彥斌
擊樂共同創作暨演出│自由擊(朱純瑩、葉柏岑、劉冠萍)
裝置設計執行│王量
燈光設計│賴科竹
音響設計│鐵吹製作
服裝設計│范玉霖
舞台監督│陳正華
舞台技術指導│陳人碩
聲音裝置設計助理│許瑋庭
攝影│林育全
錄影│陳冠宇
製作人│黃雯
執行製作│吳伯山
————————————————————
2020 NTCH Experimental Theater
2021 National Kaohsiung Center for the Arts (Weiwuying), Playhouse
★2020 Taiwan International Festival of Arts
★2021 Weiwuying TIFA Contemporary Music Platform
“This performance group combine contemporary classical music, musical theatre, modern dance, and technological art installation to present a sound playground full of fun. This playground also expand audiencens’ understanding on what is listening, and I look forward to their new works in the future.” ── Sound Art Performer Huang Da-Wang
Resonance is a combination of original music, interactive exploration, and sound mechanism. Creators take sound vibration and resonance as bones, space and audience participation as meat of their creations. Audiences are led to listen to colors of sound, to touch flows of sound waves through mechanical installation, lighting, percussion, and movements. Resonance is a large-scale sound box in an experimental theater customized by hearing, visual, and viewing relationships. This theatre piece inquires the question: how to arouse echoes and sympathy in audience through the physical and psychological aspects of sound, and how to encourage audiences to listen actively by utilizing a mobilized audience/performer spatial relationship. When there is diverse sound from multiple directions, audiences are required to listen with their ears, to see/find sound with their eyes, and to touch sound with their hands. Creators would like audiences to further open their senses while the piece move forward. Hopefully, they will realize that sound is always present in this world and it depends on how we perceive and resonate with them.
Composer|Lin Kuei-ju
Sound Installation Designer|Wang Chung-kun
Choreographer│Tung I-fen
Dramaturge│Fangas Nayaw
Percussion Collaborative & Performers│Freedom Beat, Chu Chun-ying (Clara), Yeh Po-tsen (Xero), Liu Kuan-ping (Gray))
Installation Execution│Wang Liang
Lighting Design│Lai Ke-chu
Sound Engineer│Feblow Production
Costumes Design│Fann Yu-lin
Stage Manager│Chen Cheng-hua
Technical Director│Chen Ren-shou
Sound Installation Design Assistant│Syu Wei-ting
Photographer│Lin Yu-quan
Videographer│Chen Kuan-yu
Producer│Huang Wen
Production Manager│Wu Po-shan